Tag Archives: writer’s life

A Number of Things

Naomi Hawkins-Rowe

As Megan pointed out in June, the world has changed a lot since March. Some days feel a little less disheartening, others stranger than fiction.  For those of  us with children,  when schools closed (for Knoxville, the rest of the school year), we were thrust into the role of a cross between Principle/Teacher/Parent/all-powerful crisis maven while watching our hair gray at an abnormal rate (I’m letting my crown reign, call it performance art).  I know personally, some days I feel effective, most I do not.

On top of a shift in how we move about our communities and job situations, as writers, we’ve had to change the when and where our writing happens. Some days I feel good, even excited about what I’m writing. And then some days I feel it’s unimportant in light of “the sickness”, as my youngest calls it, or Black Lives Matter, or Standing Rock (which as I write this has finally seen a great victory), or the people in my live fighting cancer or other ailments. On those days, when I can’t let go of my grief, that is when the writing is hard and feels like a frivolous luxury. But it’s also when I’m not writing, that I feel the saddest, because while I don’t see writing as a form of therapy, I do see it as a form of caring for myself and my ideas. Writing is the clearest way for me to navigate through this crazy world.

Sometimes it’s hard to know where to start. Continue reading

Writing Into the Unknown

Megan Norris Jones

Some people have compared our nation’s experience with the pandemic to the grieving process. Denial (that’s just in China!), bargaining (let’s stay home for a couple of weeks, and then this will all be better), anger (you can’t make me wear a mask!), depression (I’m going to get it no matter what I do), and acceptance. I’m not sure what acceptance looks like because I don’t think we’ve gotten there. 

From a creativity perspective, these months of upheaval and uncertainty have definitely affected my writing life, bringing it almost to a standstill. For a while, everything else was blocked out by the enormity of the pandemic. Events popped up on my calendar, and I just deleted them. Nothing was going to happen. All I did was devour news about the coronavirus. Even areas of my life previously devoted to writing shifted to focus on the disease. Half our weekly WriteOwls phone call was consumed by discussion of the pandemic. I quit reading fiction. I quit watching television and movies. I stopped midway through an audiobook. I sat down to write in fits and starts, but I didn’t produce much. I developed a hyperawareness of the fragility not just of my physical life but also of the activities and relationships that once filled my life.

Sure, some of my writing problems were scheduling issues, since the time I had blocked out for writing didn’t exist any more, and instead I was suddenly shifting to homeschool mode. But I can always stay up later or get up earlier to make time to write. I just wasn’t in a headspace for creating stories in the face of so many unknowns. Even when I was at the bargaining stage of hoping for a return to normal before the school year was out, I knew deep down that this experience was reshaping our culture in profound ways that I couldn’t yet identify. And if the whole world changed, then would the stories I’ve written and am writing even make sense in that new world? Continue reading

When the Words Won’t Come

Megan Norris Jones

If you write, then you’re a writer. You don’t have to wait for the validation of publication, starred reviews, or the best seller lists. Writers write. But what happens when you get stuck, when you’re not writing? If a person who writes is a writer, then what is a person who stares at a computer screen and then decides that she’d better go do the laundry?

We all have those moments/weeks/seasons when the words won’t come. Don’t panic. There’s no need for an identity crisis. You are still a writer. You just need to use a little bit of your creativity to come up with something that makes you step back and consider the whole story, instead of that one little element you’re stuck on, something that reminds you what makes this story worth writing in the first place.

Here are a few techniques that have helped me:

1. Write the jacket copy. Jacket copy is those two to three paragraphs on the inside flap of a hardback or on the back of a paperback that introduce potential readers to your story and convince them that they have to read it. This exercise will help you home in on the best parts of your story because they’re what’s going to sell your book.  Continue reading

When to Stay the Course and When to Move On

Megan Norris Jones

We’ve all been there. That moment when a new story takes shape, and your mind is alive with all the possibilities of creation. It’s brilliant, so shiny and bright, and you just have to start writing it now. Because, honestly, that story you’ve been slogging through for a couple of years now is looking pretty tired. It’s probably not The One, so it’ll be best all around if you dig into the new story right away.

Maybe yes, maybe no. I’ve made both choices: abandon a manuscript that just doesn’t have what it takes or stay the course till it’s finished. An idea that hasn’t been written down yet will almost always look better in your imagination than the reality of clumsy words on the page that never quite tell the amazing story that lives in your head. Sometimes it’s best to cut your losses and move on to something more promising, but if you don’t learn to finish what you’ve started, you’ll never actually write a book. 

So how do you decide which to do? Here are some points of consideration that have helped me.

1. Is the underlying idea of your story strong enough to carry an entire book?

Sometimes I have an idea that seems really great, but when I sit down to write it, that great idea isn’t really strong enough to undergird an entire novel. The first manuscript I wrote was like that. I wrote a draft, polished it up a bit, and took it to my first writers’ conference. Once there, it was a terrible shock to discover that my little novel was terribly thin. The idea simply wasn’t interesting enough to keep anyone reading. If I were to ever have any hope of publishing it, the spit shine I’d given my first draft wouldn’t do. It required a complete overhaul, down to its premise. I could have kept the characters and story world I’d created, but that was about it. I discovered that I wasn’t so attached to those characters to make the work worthwhile. I let it go. Continue reading

A Head Clearing Ritual

Naomi Hawkins-Rowe

I’m a morning person, always have been, so my day begins around 5am, Monday-Friday. Perhaps you are the same, perhaps not. But getting up early didn’t necessarily mean that I was ready to hunker down and work on my book.

In fact, it took me an embarrassingly long time to sort out what I needed to ready myself to write, but once I did, I found that having a pre-writing ritual, one that begins before I go to bed, has helped me prepare, physically and mentally, to focus on my work. Continue reading