Today, consider adding more authenticity to your setting by drawing on the emotional connections you have to places. Think about where you fell in love for the first time or experienced great loss and set your story there. It doesn’t need to be the same city or state necessarily, but you can probably use features from the room where you shared your hopes and dreams with your best friend or the atmosphere in the restaurant where you got dumped for the first time. Setting your story in places from your history can make them become real on the page.
In observance of Veteran’s Day, what are your favorite books for kids and teens with a war-time setting?
You’re awake. Instead of writing the Great American Novel—or even a mediocre one—you’re reading our blog. Okay, then. We offer a topic; you respond. Let your fellow writers inspire you, and return to that manuscript refreshed.
This week, much of the United States witnessed a total solar eclipse. Do natural events, such as hurricanes, tornados or a rare eclipse, play a role in your story?
I’ve been told that the two places you should never attempt to talk to an editor (or anyone in publishing for that matter) are an elevator or a public bathroom. Seems logical and polite. No one wants anyone shoving a manuscript at them when 1) they have no exit, or 2) they are in a delicate situation. I state again, it’s a matter of being logically polite.
So imagine, regardless of knowing this tip of etiquette, I committed this faux-pas. Now, before I mislead you, I didn’t have my manuscript in hand, nor did I intend to solicit the editor with my manuscript, but for a brief moment you could tell she was wondering if I was going to try and shove one in her bag. Continue reading