Though I’m an introvert, meaning I’m more interested in thinking about the stories in my head than making small talk at dinner parties, I’m not socially awkward or shy, and I don’t suffer from any kind of stage fright—except when it comes to talking to strangers about my writing. My face heats and my blood pressure spikes. I either go brain-blank or start babbling, speaking in disjointed sentence fragments with lots of “um’s.” Continue reading
What author or story inspired you to write for children instead of for adults?
What’s been your favorite summer read?
Which is harder for you? Flushing out the details of a scene, or coming up with pithy narrative summary?
Often, writers struggle with telling readers how their characters feel, rather than letting them experience their joys, sorrows, frustrations and triumphs. To see whether you’re telling instead of showing, search your manuscript for typical “telling” words, such as “feel,” “think,” or “realized.”
Re-read the word in context to decide if you’re telling the reader or showing them. If you’re telling, rewrite it so the reader experiences the emotion. To learn more, check out Janice Hardy’s book, Understanding Show Don’t Tell (and Really Getting It).