Over the past year, I have renovated three rooms and painted nearly all the walls in my home. I drew inspiration from the “visual discovery” platform Pinterest for paint colors, design ideas, organization tips, storage options, DIY projects and countless other concepts to spark my creativity. So, it isn’t surprising that I turn to Pinterest for valuable resources as a writer, as well. Continue reading
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My Bible study group is reading “The Girl’s Still Got It: Take a Walk with Ruth and the God that Rocked Her World” by Liz Curtis Higgs. Higgs is well known for her series of books about women in the Bible, especially what she calls the “bad” ones. But she’s also published award-winning contemporary fiction, historical fiction and children’s literature. So if you’re tempted to stop reading this blog entry for fear of unsolicited preaching, I promise that what I’m about to say has everything to do with writing. Please stick with me. Continue reading
People who know me would describe me as a talker. I can log two minutes on my husband’s voice mail just to ask him to pick up milk. What can I say? I like back stories and context. I’m wordy. Yet, my writer friends would hesitate to describe my writing as “wordy.” I’m known as the one who uses sparse description and concise transitions. After years of crafting newspaper and magazine articles that needed to fit a set word count, the to-the-point journalist in me is hard to shake. Until recently, I didn’t realize other writers admire the ability to write lean. So I thought I would share how I’ve fine-tuned that skill over my career. Continue reading
You finally have a moment to write, but what to do with your limited time? Here’s a practical prompt to kickstart the story you’re working on right now. The clock is ticking, people. Start writing.
Does your dialogue suffer from white room syndrome? You know, where disembodied voices speak to each other in an empty white space? Sometimes it’s easy to write the words of a conversation, but we forget to place them in context. The characters are standing (or sitting, or reclining) in a place, and they have bodies that move (or itch, or ache, or bounce with energy) and emotions that are affected by the words they say and hear. Readers want the whole package, so when you sit down to write, incorporate the characters’ reactions and physical experiences along with their words.