When I sit down to work on my novel, or even this blog post, I want a keyboard (or at least a touchpad) and a screen. I’ve waxed eloquent elsewhere about the Scrivener writing app and its more portable versions for the iPad and iPhone. You know that I love me some digital words. I set my schedule on iCal, my to-dos on Wunderlist, and reach out to the world on Twitter (@mnj23). But I still can’t let go of my paper journal, and my writing benefits as a result. Continue reading
Category Archives: Megan’s Posts
I’m not a risk taker. I’m not drawn to danger. I always look before I leap. My prudence has brought me a pleasant and happy life. But pleasant and happy lives, however great for living, do not make great fiction. So, when I am writing, I have to fight my own instincts to do things the careful way. My characters are not my children who need to be protected. What they really need is a spark of danger to get their story going.
I have been working on a sequence in my work in progress that I thought would be lovely and enjoyable, but instead it was stagnant and just plain dull. I finally realized that I was being too careful with my characters. Instead of bringing them conflict, I was working to protect them. Continue reading
As an optimist, I assume the best about my writing. Of course I’m writing (almost) every day. Of course my manuscript is coming along beautifully. I’ll be finished in a couple of months.
When I completed WriteOwls’ Write by Midnight in February, the most useful tool in the whole month was the daily writing log. And it’s because I’m an optimist.
When I actually recorded my daily writing progress, I could no longer simply assume the best. If I didn’t write one day, that day had a big blank line beside it. And that objective record forced me to be realistic instead of just optimistic about my writing. Continue reading
I’ve been reading a number of books on writing lately, so I’d like to share a few recommendations with you.
1. The Scene Book by Sandra Scofield.
Most of the books on writing that I have devoured over the years have looked at putting together an entire novel, but this book drills down to the level of the individual scene and delves into what makes these building blocks of a novel work. It’s a thoughtful and insightful guide to this aspect of storytelling, and I learned a lot in the process of reading it that I’m looking forward to incorporating into my own writing.
2. Novel Metamorphosis by Darcy Pattison.
Pattison taught an intensive course on revision at the conference I attended in September, but I couldn’t get up there a day early to attend it, so my sweet husband bought me the book as a consolation prize. It’s as much a workbook as an instruction manual, so wait on this one till you have a finished draft in hand. I already have a running list of things that need to be improved in the next draft of my manuscript, but digging into Pattison’s perspective on revision gave me a solid approach to the process.
3. Self-Editing for Fiction Writers by Renni Browne and Dave King.
Written by two editors, this book gives great advice on improving your own writing that can take it from mediocre to exceptional. My favorite aspect was that most examples came from manuscripts the authors had actually edited, so I could see how to apply the advice in real life. A passage that sounded just fine to me would be taken to the next level with their editing techniques.
What books have you found most helpful in developing your craft?